Strawberryfields

Worried

so i said whatcha doing freddy looking away

and freddy said look man what can i tell you

big boys don’t cry and love hurts and all that

Chopin

An emotive art piece that plunges into the psyche of the renowned composer, Frédéric Chopin. Through a stunning blend of colors and elements, this piece visually represents how Chopin, known for his introverted nature, would seek solace in his piano, particularly his emotionally-laden preludes. The artwork’s focal point is a tear, meticulously constructed using a triad of colors, symbolizing the depth of emotions flowing through Chopin. Additionally, the face, depicted in a singular hue, portrays a sense of detachment with the nose turned away from the piano, while the eye engages the viewer, seeking understanding and connection.

The background’s amalgamation of three colors sets a poignant tone, harmonizing with the piece's central theme. Accompanying the art piece is a contemporary poem, which converses with ‘Freddy’ (Chopin), appreciating the enchanting yet painful world he shared through his music. #507 Chopin is an eloquent tribute, thanking the maestro for the timeless gift of his music.

yes it’s there mom goddammit what are you blind?

An introspective and captivating self-portrait by Zen Dageraad Visser. A symphony of symbolism and self-reflection, this piece embarks on a journey into the artist's inner world. The canvas is adorned with sweeping locks of hair, representing not only a physical attribute but also an allegory for how the artist’s tresses often cloud his own vision. Adding a dash of humor and desire, a pronounced moustache takes center stage, underlining Zen's personal aspirations.

Additionally, the artist's eyes are veiled behind glasses, which may signify a protective barrier due to his introverted nature or a simple divergence from his usual 'Kees van Dongen' style eyes. The background intermingles three harmonious colors, subtly whispering of complexity and unity.

Accompanying the artwork is a whimsical poem, which reinforces the elements and adds depth to the narrative. Through light-hearted verse, it invites viewers to experience the essence of Zen, who symbolically dawns as a reflection of everyman. In #508 Zen, Dageraad Visser brilliantly intertwines raw self-portrayal with evocative symbolism.

Chaos

Grassfield

An enthralling art piece that effortlessly blends visual charm with poetic allure. The painting portrays a serene landscape, with three trees meticulously aligned in a perspective that guides the viewer's gaze into the horizon. Each tree exhibits masterful gradient shading, growing darker towards the base to suggest depth.

In the mid-ground, animated birds are soaring gracefully, with delicate shadows beneath them, immersing the viewer into this idyllic landscape. The grass field is speckled with vibrant flowers, adding a touch of whimsy to the painting. Strokes of yellow are masterfully used to represent both the flowers in the field and the stars in the sky, forming a recurring motif across the canvas.

Accompanying this visual delight is an evocative poem. The words gently prompt one to seek simplicity and contentment through nature’s embrace, resonating with the effortless beauty of the art piece.

In essence, #510 Grassfield is more than just a painting; it is an invitation to discover tranquility and wonder through the simplistic splendor of nature.

10 Minute Wait

A captivating art piece that vividly depicts the fleeting nature of time and the anxiety that often accompanies anticipation. Rendered in a palette restricted to three primary colors - yellow, red, and blue - along with additional shades of dark blue and orange-pink, this piece is a visual representation of an individual’s struggle with time. The dark blue figure, ostensibly agitated, is seated on an orange-pink chair that casts a subtle shadow, suggesting the presence and passage of time.

At the core of this art is a poignant poem that resonates with the painting, encompassing the essence of the frustrating, yet sometimes zen-like moments of waiting.

In essence, #511 10 Minute Wait is an ode to the internal conflict that arises when the mind is torn between the present and the impending future.

Stairs

An enigmatic art piece that breathes life into an ordinary setting through an imaginative blend of colors and elements. At first glance, the art captures one's attention with its dominant yellow railings, evoking a sense of intrigue. A poem accompanying the piece gracefully expresses that, although not as magical as the yellow brick road, the combination of yellow railings with various shades of pink and green resonates deeply, with a captivating charm.

The artist uses different shades of roses to impart depth to the walls, while the contrasting shades of green render depth to the stairs. The lines of the building and stairs are consistently colored to maintain harmony. A prominent, striking element is the eye embedded in the wall, paying homage to Kees van Dongen, whose captivating eyes seem to haunt the artist’s consciousness.

Interestingly, the perspective in #512 Stairs is a tad peculiar, adding an abstract layer that challenges the viewer's perception. The piece, overall, is a vivid tapestry that creatively elevates the mundane.

Bunny

A compelling visual representation of a remarkable encounter. Inspired by a stroll along the outskirts of Den Bosch, this piece captures the artist's observation of a multitude of bunnies emerging from a mysterious underground burrow. Despite the abundance witnessed, the drawing intentionally focuses on simplicity, emphasizing the significance of minimalistic aesthetics.

The background presents a harmonious blend of three analogous hues, seamlessly transitioning to evoke a sense of continuity and cohesion. Notably, an experimental gradient technique adorns the rabbit hole, though the artist humbly acknowledges it as their initial endeavor in mastering this artistic element.

Furthermore, the artwork showcases meticulously crafted bushes that disregard the conventional rules of depth perception. Instead, they create their own unique sense of depth by diminishing in size as they ascend the page. This artistic choice adds a distinct charm to the composition, inviting viewers to ponder its deeper symbolism.

In essence, #513 Bunny is more than just a representation of a single yellow bunny; it symbolizes the unity and multitude encompassed within a solitary figure, defying expectations and sparking the imagination.

Beloved Monster

Inspired by the evocative song from Eels. While the exact meaning behind the song remains enigmatic, this drawing portrays a compelling narrative. At its core, the piece depicts a figure, possibly the artist themselves, peering into the depths of water and encountering their "beloved monster." Despite this revelation, the subject maintains a serene smile, symbolizing their acceptance of their inner complexities.

The artwork embraces a minimalist color scheme, primarily showcasing hues of orange and yellow, which create a warm and inviting background. These colors seamlessly extend to the portrayal of the "beloved monster," representing the interconnectedness between the subject and their inner self.

A vibrant green road, embellished with a delicate pink border, winds its way through the composition, serving as a poignant symbol of the subject's journey. As the road recedes into the distance, it progressively diminishes in size, reinforcing the idea that life continues despite one's self-perceived "monstrosity."

The captivating blue water, adorned with a charming pink border, mirrors the blues employed in depicting the subject. This visual consistency reinforces the connection between the figure and their reflection, emphasizing their mutual existence.

Notably, the artwork features enchanting purple and green gradient "blobs" dispersed throughout the orange and yellow regions, adding an element of intrigue and whimsy to the composition.

Accompanied by a thought-provoking poem, #514 Beloved Monster invites viewers to ponder the acceptance of one's complexities with grace and a smile.

Symbols

This piece showcases the power of symbols, employing them to narrate a compelling story in a simple yet profound manner.

Imagine the celestial Luna shedding tears, brilliantly juxtaposed with clouds, a manifestation of the boundless sky. These elements are not just visually enticing, but also imbue the artwork with a sense of depth and mystery. Each symbol tells a tale, and together, they weave an enchanting saga.

Venture further into the scene to discover a road, its destination shrouded in ambiguity as indicated by the sign. Is it a metaphor for life's uncertainties, or perhaps, a commentary on our collective journey? A figure, conspicuously located in the lower left corner, looks away from the road, seemingly detached from its directionless path.

Lastly, a modest chair and a tree are positioned, invitingly hinting at respite. But these aren't ordinary objects, they are symbols of comfort and tranquility, acting as a metaphorical invitation to 'sit down in the shade'.

Accompanying this visual narrative is a poem, whispering an invitation to simplicity and tranquility. The verses are a conversation, a seemingly innocent dialogue about pretending, about observing, and about embracing the ordinary. 'Have you met my sisters?', it asks, leaving us in contemplation.

This artwork is a testament to the transformative power of symbols, beautifully demonstrating how they allow art to communicate complex emotions and ideas in an easily graspable way. An intriguing blend of poetry and symbolism, it draws you in, encouraging you to delve deeper into its narrative layers.

BlueJayWay

Inspired by a Beatles' song penned by George Harrison, the artwork encapsulates the ethereal, psychedelic vibe of the track. It paints an evocative scene of Harrison lounging on a bench, hands clasped, wrestling with the lure of sleep.

The piece is underscored by a poem, a surreal fusion of George Harrison and Lewis Carroll's worlds. It playfully warns of the danger of falling into a rabbit hole and becoming an opium-smoking caterpillar, a nod to Carroll's fantastical universe. The poem poses a poignant question, who has lost their way? Is it the song's friends or is it the song's creator himself?

The artwork and the poem together create a tantalizing narrative, blurring the line between reality and dreams, individuality and universality. It's a reflection on the nature of identity, a kaleidoscopic journey that invites viewers to ponder, is it really them or is it really you?

Pablo

Drawing upon the poignant rhythm of the roadrunners' song, this artwork captures the essence of an older, more distinguished figure, reminiscent of the iconic artist Pablo Picasso. A subtle tribute to his unyielding charisma and undeniable talent, the piece is infused with a sense of both respect and humor.

The accompanying poem echoes a familial appreciation of the artist's brilliance, an aspect that is humorously contrasted by the suggestion that the artist was not without his faults. The piece encapsulates the song's dry wit, reflecting on the artist's romantic success despite his short stature, a playful nod to Picasso's renowned allure.

The artwork itself mirrors the artist in his later years. The lines, shapes, and forms pay homage to Picasso's distinct style, yet they are layered with a unique interpretation that adds depth to the piece. The creator's love for Picasso's work is evident, making this art piece a thoughtful and entertaining exploration of the artist's identity, legacy, and the impressions he left behind.

This subtle blend of admiration, humor, and critique offers a multifaceted perspective on the artist's life, highlighting his influence while also acknowledging his humanity. As such, the artwork and its accompanying poem present a captivating tribute to Picasso, illustrating the enduring impact of his work and personality.​

Criminal Idols

In a stark and provocative exploration of modern idolatry, an artwork captures the paradox of elevating flawed figures to the status of cultural icons. The piece unflinchingly critiques the idolization of individuals in the music industry who glamorize violence and criminality. Drawing inspiration from the rap genre, particularly 'Drill', the artwork references a notorious rapper notorious for his verses that glorify real-life criminal activities.

A central figure, signified by a crown reminiscent of Jean-Michel Basquiat's iconic mark for idols, embodies the paradox. The crown signifies authority and achievement, yet its wearer is engaged in a heinous act, smiling and signaling approval. This dual narrative of heroism and horror reflects the complexities of the fandom, which often overlooks moral implications in favor of talent and charisma.

The crowd, depicted as passive onlookers, symbolizes the fans who unwittingly or knowingly endorse such destructive narratives. Their financial support fuels a vicious cycle, perpetuating violence and discord under the guise of artistic expression. This masterful piece challenges us to reconsider the idols we create and the influence they wield on society. It is a call to introspection and a reminder of our collective responsibility towards the narratives we celebrate.

CIA Man

Drawing inspiration from the rebellious spirit of The Fugs, this artwork captures the audacious persona of a figure synonymous with covert operations and international intrigue. With a simple gesture of his arm, this man can seemingly manipulate events at will, echoing the band's critique of government authority and its wide-reaching influence. A cool facade belies the extent of his power; his sunglasses reflecting a world where clandestine actions can drastically alter the course of history. The figure serves as a stark reminder of the song's accusation of the government's controversial involvement in foreign affairs, from the Vietnam War to the scandal with Nicaragua. Without uttering a word, his very presence encapsulates a complex narrative of power, secrecy, and the enduring question of the ends justifying the means. His image lingers, prompting us to consider the impacts of such hidden forces in our world.

#504 Sheep

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